Red Carpet Rundown: The 2020 Emmys
Well. Awards season has started, somehow, in a year that is eighty years long.
I have some conflicting thoughts about this. It felt like the Emmys did, too. We kept getting signals – alpacas and Margo Martindale drinking wine in her backyard and putting out fires on TV and showing off the empty auditorium with a few cardboard cutouts in it as both a punchline and as some kind of proof of precaution as if nobody was backstage or behind the cameras – that this year was bizarre. An anomaly. Out of the ordinary.
And sure, it is; the HAZMAT tuxedos for those tasked with delivering the Emmys (only if you win, of course, as Ramy Youssef documented), and the cameras (130 of them, according to the LA Times) dispatched to nominees’ houses, as with Nicholas Braun:
How topical of the Emmys to set-dress that subtle emerging-surveillance-state 2020 feeling! The Emmys gaze also into thee.
But this year also dovetailed the performative faux-casualness of social media with the performative branding of the… Read more »