Stoker
“Did you ever stop to think that a family should be the most wonderful thing in the world?”
Stoker, Park Chan-wook’s superlatively beautiful film, is billed as a thriller, but isn’t quite. It’s more a style-heavy meditation on things not actually present in the narrative (it’s a vampire movie with no vampires), and a ruthless dissection of the thing that is (family, family, family).
Case in point: in the movie’s first moments, we meet India. She tells us she’s wearing her mother’s blouse, and her father’s belt, and a pair of stiletto heels her uncle gave her. We know nothing else about her. By movie’s end, everything in the shot has been given context, until the outfit is both a symbol of the family influences that take such a permanent toll on a child, but examples of a heightened, surreal specificity that characterize India throughout.
It’s difficult to go into some of the specifics, both because laying out plot points makes the storyline sound a little soapy (and hearkens perhaps too closely to Shadow of… Read more »